Noah Caldwell

When Hurricane Michael struck the Panhandle of Florida last October, Keith and Susan Koppelman were huddled in the bathroom of their small, two-bedroom rental trailer just north of Panama City.

"When the winds came we both started praying," says Keith, 49. "I thought, 'Oh my God, this is a big storm.' "

After four hours, they finally emerged to survey the damage. The storm's 160-mile-per-hour winds had torn off the porch and peeled away the trailer's tin siding.

At 22 years old, Tamino possesses a voice that carries the hypnotic, immediate power of something much more ancient. Born Tamino Moharam Fouad and named after a prince in Mozart's The Magic Flute, the Belgian-Egyptian artist explores his heritage by combining his own sound with Arabic influences of his Lebanese and Egyptian ancestors. Tamino's debut album, Amir, out now, melds together the artist's eccentric vocal style with Arab musical theory.

As a singer, arranger, composer, producer and multi-instrumentalist, it should come as no surprise that Jacob Collier comes from a profoundly musical family. His maternal grandparents were both professional violinists, his mother is an accomplished violinist and longtime instructor at the Royal Academy of Music in London and so, naturally, Collier taught himself to play every instrument he could find.

Van Turner has a secret: He knows the whereabouts of the controversial Confederate statues removed last year from two parks in Memphis, Tenn.

"They have to be kept in a secretive location," said Turner on a recent afternoon, standing in a park overlooking the Mississippi River where one of the statues — of Confederate President Jefferson Davis — once stood. "For fear of someone trying to go in and get them."