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Perspective 250: What about jazz?

Nice Jazz Festival '89 - Miles Davis
By Oliver Nurock @ ohjaygee Johannesburg/ Cape Town, South Africa
/
Wikimedia
Nice Jazz Festival '89 - Miles Davis

As our nation marks its 250th anniversary, Americans have every reason to celebrate the people, places, and traditions that tell our story. But one omission during the Freedom 250 celebrations stood out to me: Where was jazz? 

We heard plenty of patriotic songs, country, rock, pop, and some approximation of hip hop. Yet the music most often described as America's original art form was absent from the celebration. 

Jazz earned that distinction because it was born here. In the streets, churches, dance halls, and neighborhoods of New Orleans, African musical traditions met European harmony, Caribbean rhythms, the blues, ragtime, and brass band music to create something entirely new. No other nation can claim its birth. It is uniquely American. 
More than that, jazz embodies the ideals we associate with our nation. Individual voices improvise freely while listening and responding to one another. Every musician has a chance to lead, but no one succeeds without the ensemble. It’s freedom balanced by responsibility, innovation grounded in tradition and structure, and diversity transformed into something greater than the sum of its parts. 

However, jazz also reminds us that America's greatest cultural gift emerged from a people who were too often denied the very freedoms the music celebrates. That tension—between our highest ideals and our imperfect history—is part of the American story too.  

Celebrating our nation should showcase what makes America distinctive. There is country music, rock and roll, Broadway, hip hop, and more. But if there is one musical tradition that belongs unmistakably to the United States and reflects our core values, it is jazz. It deserves to be heard and appreciated.  

I'm Joseph Flynn and that is my perspective. 
 
Joe's recommended discography, in order of release date. (*) indicates must-listens. 

Year Artist  
1925–1928 Louis Armstrong  
1943 Duke Ellington  
1950 Billie Holiday  
1950 (recorded; first released in full 1950, expanded later) Benny Goodman  
1958 Art Blakey  
1959 Miles Davis  
1959 Dave Brubeck  
1961 Bill Evans  
1961 Oliver Nelson  
1963 Stan Getz & João Gilberto  
1965 Grant Green  
1965 John Coltrane  
1966 
1970  
Ella Fitzgerald 
Miles Davis 
 
1971 Alice Coltrane  
1985 Wynton Marsalis  
2000 Brian Blade & The Fellowship Band  
2002 Brad Mehldau  
2003 The Bad Plus  
2021 Makaya McCraven  
2024 Kamasi Washington  

Joseph Flynn is a professor of curriculum and instruction at Northern Illinois University.