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In some tight midterm races, how farmers frustrated with the war and rising costs vote could make a difference.

NPR's Juana Summers speaks to New York Times-bestselling author Naima Coster about her newest novel, 'Take What You Can,' an exploration of growing into parenthood with chosen family.

Reporting over so-called "the Great Firewall," a journalist details how to report for a global audience from Beijing despite tight obstacles imposed by the government.

Paramount's owners have made concessions to 12 Democratic state attorneys general to settle a lawsuit that endangered the media company's bid for its larger Hollywood rival, Warner Bros. Discovery.

NPR's Michel Martin speaks with Robert Garland, artistic director of the Dance Theatre of Harlem, a company where he was once principal dancer and that he is taking back to the African continent for the first time since the 1990s.

Smartphones are often credited with helping bridge the "digital divide" between people who do and don't have Internet access at home. But is mobile Internet enough for a family with a kid in school?

In 1936, Country Home magazine sent its "rural correspondent of the year" Susan Eisele on a trip to NYC. With a 6-week-old in tow, she soaked up the city and hit it off with hard-bitten newspapermen.

Public sector jobs, with their competitive pay and benefits, have long been considered the most secure form of employment in America. But as government shrinks, data show African-American workers are bearing the worst of the cuts.

The Iranian-American comic came to the U.S. when he was 6 years old, just before Iran's 1979 revolution. His new memoir is I'm Not a Terrorist, But I've Played One on TV.

Weiner is currently writing and shooting the show's final episodes. He tells Fresh Air, "I'm going to be leaving these characters in a place where they belong."