Rahm Emanuel is a Democratic Party elder, having served in the Clinton and Obama Administrations and as mayor of his native Chicago for two terms. He’s a centrist known for valuing political wins over ideology, making it especially notable that Emanuel recently gave a blistering speech in Israel, calling the country’s path “not sustainable politically.” He says that the United States should no longer grant Israel unconditional military support, and explains his own plan for a diplomatic Middle East solution that he calls a “twenty-three-state solution.” Emanuel, who hasn’t formally announced but appears to have embarked on a campaign for the 2028 Presidency, defends his position on trans rights, which has angered many on the left, and his contention that the Democratic Party is overly concerned with identity politics. Further reading: “Trump and Rahm Emanuel Both Love a Fight, Especially Against Each Other,” by Susan B. Glasser. “Rahm Emanuel’s Lessons for Hilary Clinton,” by Benjamin Wallace-Wells “The Sudden but Well-Deserved Fall of Rahm Emanuel,” by Rick Perlstein “Emanuel in Full,” by Lizzie Widdicombe New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Department of Government Efficiency, better known as DOGE, has officially been terminated. Its July 4th sunset date was part of Donald Trump’s original executive order that created the agency, which Elon Musk ran. During his tenure, Musk oversaw the dismantling of U.S.A.I.D., which used to provide life-saving medical and nutritional programs around the world. Musk, who recently became the world’s first trillionaire, claims that there is no evidence that a single person died after DOGE cancelled more than eighty per cent of U.S.A.I.D.’s programs, cutting basic health-care access to some ninety-five million people. Atul Gawande disagrees. He was the assistant administrator for global health at U.S.A.I.D. until he stepped down, the same week Trump ended U.S. foreign assistance. Gawande says an estimated seven hundred thousand people have already died as a result of the cuts. David Remnick speaks with the longtime New Yorker contributor about the profound effects of ending U.S.A.I.D.’s work abroad, Musk’s involvement in these decisions, and the deaths it all has wrought. Further reading, viewing, and listening: “The Shutdown of U.S.A.I.D. Has Already Killed Hundreds of Thousands,” film by Thomas Jennings and Annie Wong, text by Atul Gawande “Hundreds of Thousands Will Die,” an episode of The New Yorker Radio Hour “Behind the Chaotic Attempt to Freeze Federal Assistance,” by Atul Gawande New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With all the sports news at play this summer, from the New York Knicks winning the N.B.A. Finals to Donald Trump having a direct impact on FIFA’s decisions during the World Cup, it’s time for a deep dive into the biggest sports moments of late. The New Yorker sportswriter Louisa Thomas and David Remnick talk about the most significant stories of the week, and what to keep an eye on in the days and weeks ahead. Further reading, viewing, and listening: “The U.S. Crashes Out of the World Cup,” by Louisa Thomas “Serena Williams Returns to Wimbledon,” by Louisa Thomas “The Knicks Win the N.B.A. Title: A Post-Game Conversation,” with David Remnick, Vinson Cunningham, and Louisa Thomas New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The comedian Fred Armisen has a thing for sound: he’s a former punk-rocker who gets a lot of comic mileage from doing accents, and he released an album of sound effects—a modern update of a novelty genre from his youth. “100 Sound Effects” came out last year, on the venerable indie label Drag City. The track titles are themselves little punch lines: “Guitar Tuned but Still Somehow Out of Tune,” “Supportive Booing at a Speech,” and “Terrified Audience at an Authoritarian Nation Official Event.” Armisen talked with the staff writer Michael Schulman about sound effects and the origins of his love for accents, and they went out to do some sound recording of their own on the summer streets of New York. This segment was produced with assistance from John DeLore. This segment originally aired on August 29, 2025. Further reading: “Fred Armisen Goes Bang! Zip! Zoop!,” by Michael Schulman “Shakespeare, Off the Cuff,” by Mike O’Brien and Fred Armisen New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The unofficial anthem of New York City is “Empire State of Mind,” the Jay-Z song with that unforgettable hook, sung by Alicia Keys. So it was only fitting that when New York celebrated the Knicks’ N.B.A. Finals victory, Keys took the stage at City Hall to sing it. It was a classic New York moment, for an artist who is herself a true New Yorker. In her musical, “Hell’s Kitchen,” Keys uses her songs to tell the story of a teen-ager growing up, like Keys, in the titular Manhattan neighborhood, near Times Square—a “place of the have-nots,” as she told David Remnick, with “this unique balance between that grime, and the potential of Broadway.” They spoke when “Hell’s Kitchen” was in previews; it went on to win two Tony Awards, and recently began a national tour. This segment originally aired on March 29, 2024. Further reading: “‘Hell’s Kitchen’ Brings Alicia Keys’s Musical Power to the Public,” by Helen Shaw New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Washington Roundtable is joined by Jeff Stein, the veteran political reporter and founding editor of the newsletter “Spytalk,” to examine Donald Trump’s appointment of Bill Pulte as the new acting Director of National Intelligence, a position that, in theory, oversees the C.I.A., N.S.A., F.B.I., and fifteen other agencies. Pulte has no intelligence background and no national-security experience, but does have a track record of going after the President’s perceived enemies. Plus, the panel discusses a recent Washington Post investigation that raised new questions about the outgoing director, Tulsi Gabbard, and her alleged ties to a religious cult. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Americans tend to see the Declaration of Independence and the Revolutionary War as milestones in world history that inaugurated the era of modern democracy. But the British, unsurprisingly, see these events quite differently. David Remnick talks with the historians who host the popular podcast “The Rest Is History,” Dominic Sandbrook and Tom Holland. Growing up in Britain, Sandbrook explains, the Revolution seemed like “a parade of quite boring men talking very earnestly about liberty, [with] battles that involved twenty people in a field somewhere. . . . It’s not Waterloo!” The King was “annoyed” to lose the thirteen colonies to the new nation, but, for his government, “it could have been a lot worse.” Sandbrook and Holland discuss historical events that overshadow the American Revolution in the British mind; the 1619 Project and the subject of slavery; the “colossally consequential” Presidency of Donald Trump; and the fate of the British monarchy. Further reading and listening: “The American Revolution Wasn’t the Main Event,” by Daniel Immerwahr America at 250, a special issue of The New Yorker “Was the Declaration of Independence Better Before the Edits?,” by Jill Lepore “Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial,” by Jill Lepore “We Could Have Been Canada,” by Adam Gopnik New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that’s what makes a great blockbuster.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The former Secretary of State Hillary Clinton sat down with David Remnick at the 92nd Street Y, in New York, on Monday evening, after the Trump Administration announced a memorandum of understanding to end its war in Iran. Remnick asked whether the United States lost this war. “Yes,” Clinton replied. “The United States has come out weaker. Iran has come out stronger.” According to Clinton, Israel repeatedly tried to pressure the Obama Administration into backing a similar action in Iran, but she didn’t take the bait. “They would say things like ‘Our planes are on the tarmac,’ ” Clinton recalled. “And I’d say, ‘Well, good luck. Great. Why are you doing this?’ ” They also discuss Joe Biden’s decision to run for a second term, and its fateful consequences. “He made a terrible mistake,” she said. Had Biden stayed with his plan of serving for one term, “I believe whoever emerged . . . would have beaten Donald Trump.” Further reading and listening: “Hillary Clinton on the Psychology of Autocrats,” an episode of The Political Scene “Hillary Clinton Explains What Happened,” an episode of The New Yorker Radio Hour “The Broadway Life of Hillary Clinton,” by Michael Schulman “Curtis Sittenfeld’s ‘Rodham’ Offers the Catharsis of Uncomplicated Regret,” by Nora Caplan-Bricker New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The sports journalist Pablo Torre recently won the 2026 Pulitzer Prize for audio reporting for an investigation on his podcast, “Pablo Torre Finds Out.” Torre talks with David Remnick about the challenge of investigative reporting in professional sports—where leagues, owners, players, and sometimes even fans don’t welcome hard questions. “As much as I am doing that and urging people to join me in the pool,” he says, “it kind of feels like I’m the guy who is the proverbial turd” in that pool. But as private equity invests massive sums in teams, he says, the work is even more necessary—and that fans do care when misdeeds are revealed. Further reading: “Lessons in Fanhood from the Knicks,” by Vinson Cunnigham “The Knicks: The Only Game in Town,” by David Remnick New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.