Tom Huizenga

Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.

Joining NPR in 1999, Huizenga produced, wrote and edited NPR's Peabody Award-winning daily classical music show Performance Today and the programs SymphonyCast and World of Opera.

He's produced live radio broadcasts from the Kennedy Center and other venues, including New York's (Le) Poisson Rouge, where he created NPR's first classical music webcast featuring the Emerson String Quartet.

As a video producer, Huizenga has created some of NPR Music's noteworthy music documentaries in New York. He brought mezzo-soprano Joyce DiDonato to the historic Stonewall Inn in Greenwich Village, placed tenor Lawrence Brownlee and pianist Jason Moran inside an active crypt at a historic church in Harlem, and invited composer Philip Glass to a Chinatown loft to discuss music with Devonté Hynes (aka Blood Orange).

He has also written and produced radio specials, such as A Choral Christmas With Stile Antico, broadcast on stations around the country.

Prior to NPR, Huizenga served as music director for NPR member station KRWG, in Las Cruces, New Mexico, and taught in the journalism department at New Mexico State University.

Born in Grand Rapids, Michigan, Huizenga's radio career began at the University of Michigan, where he produced and hosted a broad range of radio programs at Ann Arbor's WCBN-FM. He holds a B.A. from the University of Michigan in English literature and ethnomusicology.

In these days of uncertainty, music can provide a safe haven, an escape, or even a boost of energy. I've found all of that and more in a new recording of the music of Carl Philipp Emanuel Bach, the second oldest of Johann Sebastian's musical sons, and a composer who continually fascinates me.

Some people respond to suffering by turning it into art. That's true even with the harrowing experience of a pandemic.

In the early 1400s, an Englishman named John Cooke composed Stella celi, a hymn to the Virgin Mary referencing the Black Plague which, according to some sources, wiped out half of Europe. Its text speaks of the "ulcers of a terrible death" but also the assurance that "the star of heaven ... has rooted out the plague."

Krzysztof Penderecki, one of the world's leading composers, died Sunday at the age of 86. The Polish Ministry of Affairs announced his passing in a tweet. No cause of death was given.

The Polish-born composer established himself while still in his 20s with jarring atonal works such as Threnody to the Victims of Hiroshima, and came to be widely admired by music fans and musicians far outside traditional classical music circles.

When Víkingur Ólafsson was about 5 years old, he already knew what he wanted to be. "It sounds crazy, but I always saw myself as a concert pianist," he says. "Even if I wasn't a good pianist."

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this edition, NPR's classical producer Tom Huizenga makes the case for the charming, danceable St. Paul's Suite by Gustav Holst, who's best known for his symphonic juggernaut called The Planets.

Plácido Domingo, who began singing at London's Royal Opera House in 1971, will not be performing with the company in scheduled performances this summer, according to a statement provided to NPR Friday morning.

"The Royal Opera House and Maestro ‪Plácido Domingo have mutually decided that he will withdraw from the Royal Opera House's upcoming performances of Don Carlo in July 2020," it reads in part.

Sometimes old recipes, newly tweaked, can yield astonishing results. Consider the concerto: It might be a 400-year-old formula, calling for a soloist to perform with — and often battle against — an orchestra. But occasionally, a brand new concerto arrives that offers old-fashioned thrills.

Peter Serkin, a pianist who navigated a distinctive course through classical music with thoughtful interpretations of both standard repertoire and bracing new compositions, died Saturday morning at his home in Red Hook, N.Y. at age 72.

The cause of death, announced by his family, was pancreatic cancer.

Serkin came from a prestigious family of musicians. His father, the celebrated pianist Rudolf Serkin, and his maternal grandfather, the violinist and conductor Adolf Busch, embodied old-world traditions — to reverential acclaim.

We've been starting this new year off with genres of music you might not listen to, or that you say you're not a fan of — so far, we've covered jazz, country and deep house.

Harriet Tubman may be the best-known conductor of the Underground Railroad, but a new album highlights another key figure: William Still, who helped nearly 800 enslaved African Americans escape to freedom in the years before the Civil War.

Cecilia Bartoli isn't your average opera star. She doesn't sing many of the popular 19th century operas. Instead, she prefers to explore the dusty, little-known corners of the 18th century.

Bartoli's new album is devoted to music written for a single artist of the Baroque era named Farinelli. He was the most acclaimed opera singer of the mid-1700s, the rock star of his day, singing some of the most virtuosic music ever written for the human voice.

In a career – and personal life – loaded with enough drama to fuel an opera, Kanye West is finally presenting one. Or at least that's what he tweeted Sunday, announcing a performance of Nebuchadnezzar, "A Kanye West Opera" at the Hollywood Bowl on Nov. 24.

Caroline Shaw sings her own song, "And So," with the Attacca Quartet.

The Baltimore Symphony Orchestra is back. Orchestra officials and musicians held a joint news conference Monday, on stage at Meyerhoff Symphony Hall, to announce the ratification of a one-year contract that effectively ends a 16-week showdown between the two groups.

"I'm thrilled that an agreement has been reached," BSO music director Marin Alsop said in a statement announcing the new contract, "and that we will have our musicians back on stage to open our 104th season beginning on Friday night."

Composer Christopher Rouse, who once called himself a writer of "fast and furious" music and who taught courses in the history of rock, died Saturday of complications of renal cancer at age 70.

When the first enslaved Africans landed on American shores in 1619, their musical traditions landed with them. Four centuries later, the primacy of African American music is indisputable, not only in this country but in much of the world. How that music has evolved, blending with or giving rise to other traditions — from African songs and dances to field hollers and spirituals, from ragtime and blues to jazz, R&B and hip-hop — is a topic of endless discussion.

With a season-opening concert slated for Saturday, Baltimore Symphony Orchestra musicians and its management are still locking horns over details of a new contract agreement. A bargaining session ended Monday night with no resolution, only a set of last minute proposals from management which players will vote on Tuesday night.

Julia Wolfe might be called America's "labor documentarian," but she's not making movies. She's composing music.

Controversy has seemed to follow pianist Ivo Pogorelich at every move, even from the beginning. In 1980, when the 22-year-old whiz kid from Yugoslavia failed to reach the final round of the International Chopin Competition, the revered pianist Martha Argerich, who declared him a "genius," stormed off the jury in protest. Naturally, the dustup helped launch his career. With a brooding pout, movie star looks and a high-powered record deal, Pogorelich was an instant celebrity.

Augustin Hadelich's latest album of violin concertos offers two unlikely bedfellows. The tuneful, romantic classic by Johannes Brahms bumps up against the modernist mayhem of György Ligeti. The album, titled simply Brahms, Ligeti: Violin Concertos, also proves to be a compelling introduction to one of today's best, but still undervalued, violinists.

Updated on Jun. 17 at 11:41 a.m.

Baltimore Symphony Orchestra (BSO) musicians, carrying signs reading "Fair Play for World Class Musicians," have begun picketing in front of their artistic home, Joseph Meyerhoff Symphony Hall, as the orchestra's management has locked out its players.

In the opening scene of Pavarotti, the new documentary by director Ron Howard, the popular tenor travels deep into the Amazon jungle in search of an old opera house where the great Enrico Caruso may have once sung.

The building is shuttered, but because he's Luciano Pavarotti the door is unlocked for him to belt out a few honeyed notes from the stage. His fabulous voice soars into the vast emptiness of the auditorium.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.

In a surprising announcement Thursday, the Baltimore Symphony Orchestra abruptly cancelled its summer 2019 lineup of concerts.

Don't see the video above? Click here.

When the intrepid string quartet known as Brooklyn Rider first visited the Tiny Desk nine years ago, no one knew what the musicians might play. They're as likely to trot out an Asian folk tune as they are a string quartet by Beethoven, or one of their own compositions.

The Royal Concertgebouw Orchestra, the leading symphony orchestra in the Netherlands, and its former chief conductor, Daniele Gatti, have come to a mutual agreement over the conductor's dismissal last August.

Tuesday the orchestra issued a statement on its website, claiming that "matters between the two parties have been resolved following extensive discussions."

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If just one thing can be confirmed from these compelling Tiny Desk performances by the Calidore String Quartet, it should be that the centuries-old formula – two violins, a viola and a cello – is still very much alive and evolving. Indeed, an impromptu show of hands in the audience before the concert began revealed that almost everyone had seen a string quartet perform live.

Caroline Shaw's new album, Orange, is a love letter to the string quartet. The North Carolina native burst onto the music scene in 2013, when she was the youngest composer to win a Pulitzer Prize. She's still in her 30s and now, for the first time, there's a recording devoted entirely to her work.

Ellen Reid, a 36-year-old composer, won the Pulitzer Prize in Music on Monday for her opera p r i s m. The Pulitzer jury described the winning piece as a "bold new operatic work that uses sophisticated vocal writing and striking instrumental timbres to confront difficult subject matter: the effects of sexual and emotional abuse." The two other finalists were Sustain, an orchestral work by Andrew Norman, and Still for solo piano by James Romig. Reid is the fourth woman to earn the prize since 2013.

Christine Goerke is focused on endurance. The dramatic soprano is tackling one of the most challenging roles in opera: singing Brünnhilde, the Valkyrie maiden warrior, in Richard Wagner's epic, Der Ring des Nibelungen, at New York's Metropolitan Opera. Otherwise known as the Ring cycle, the 16-hour saga spans four operas and tells the story of gods, monsters, humans and an insatiable urge to own an all-powerful golden ring.

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