Tom Huizenga

The Royal Concertgebouw Orchestra, the leading symphony orchestra in the Netherlands, and its former chief conductor, Daniele Gatti, have come to a mutual agreement over the conductor's dismissal last August.

Tuesday the orchestra issued a statement on its website, claiming that "matters between the two parties have been resolved following extensive discussions."

Caroline Shaw's new album, Orange, is a love letter to the string quartet. The North Carolina native burst onto the music scene in 2013, when she was the youngest composer to win a Pulitzer Prize. She's still in her 30s and now, for the first time, there's a recording devoted entirely to her work.

Ellen Reid, a 36-year-old composer, won the Pulitzer Prize in Music on Monday for her opera p r i s m. The Pulitzer jury described the winning piece as a "bold new operatic work that uses sophisticated vocal writing and striking instrumental timbres to confront difficult subject matter: the effects of sexual and emotional abuse." The two other finalists were Sustain, an orchestral work by Andrew Norman, and Still for solo piano by James Romig. Reid is the fourth woman to earn the prize since 2013.

Christine Goerke is focused on endurance. The dramatic soprano is tackling one of the most challenging roles in opera: singing Brünnhilde, the Valkyrie maiden warrior, in Richard Wagner's epic, Der Ring des Nibelungen, at New York's Metropolitan Opera. Otherwise known as the Ring cycle, the 16-hour saga spans four operas and tells the story of gods, monsters, humans and an insatiable urge to own an all-powerful golden ring.

Fans of Hector Berlioz — and record companies, it appears — need no excuse to celebrate the music of the pioneering French composer and quick-witted music critic. The sesquicentennial of Berlioz's death falls on March 8, and to mark the occasion, Warner Classics has released a 27-CD box containing, purportedly, every forward-thinking note the composer ever wrote.

The beloved American baritone Sanford Sylvan died Tuesday at his home in Manhattan. Lenore Sylvan, the singer's mother, along with his sister Gwen Sylvan and brother Seth Sylvan confirmed the death to NPR Thursday morning. Marc Mandel, a close family friend and director of program publications at the Boston Symphony Orchestra, said that the death was "entirely sudden" and that it was "deemed to be of natural causes." Sylvan was 65.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple Music playlists at the bottom of the page.

In 1933, the Chicago Symphony Orchestra gave the world premiere of Symphony No. 1 by a then little-known composer named Florence Price. The performance marked the first time a major orchestra played music by an African-American woman.

Price's First Symphony, along with her Fourth, has just been released on an album featuring the Fort Smith Symphony, conducted by John Jeter.

Narrowing a list to just 10 is always a painful game. This year, amid a multitude of albums, I found favorite musicians (Víkingur Ólafsson), newcomers (the young Aizuri Quartet) and familiar players in compelling collaborations (Brooklyn Rider and Magos Herrera), all offering fascinating performances of music from the baroque to the freshly minted.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

Sometimes it takes an outsider to point out what's great about a culture. That's exactly what Czech composer Antonin Dvorak was when he came to the U.S. at the end of the 19th century, an immigrant thrown into a new world and new sounds.

The irony couldn't have been more vivid when Maria Callas sang the words "The dead don't rise again from the grave," from Verdi's opera Macbeth, on stage Friday night at the Moss Arts Center in Blacksburg, Va.

Until recently, most classical music videos have been humdrum affairs. Musicians, in concert attire, earnestly produce their notes with eyes closed and heads tilted in a beatific expression, somewhere between a migraine and an attempt to channel Bach from the heavens.

Like every other opera fanatic, I was saddened Saturday to learn of the death of Spanish soprano Montserrat Caballé. She is among the last of a breed of old school divas and will be remembered, above all, for the breathtaking beauty of her sound.

Composer Matthew Aucoin has earned one of the most prestigious awards in the arts and sciences. Wednesday he was announced as a 2018 MacArthur Fellow, a recipient of the so-called "genius grant" from the MacArthur Foundation, which includes a $625,000 no-strings-attached purse. Aucoin, the youngest winner this year, joins 24 other Fellows, whose work spreads wide across the arts, humanities and sciences.

One hundred years ago, a symphonic blockbuster was born in London. The Planets, by Gustav Holst, premiered on this date in 1918.

Magos Herrera is a jazz singer from Mexico, but she has also sung pop songs with Brazilian beats and crooned Mexican classics with a touch of rock. Herrera takes another adventuresome step on her new album, Dreamers, where she partners with a classical string quartet for an album steeped in Latin American culture. The potent mix of themes and the sound of the string quartet, plus a little percussion, are compelling.

Renée Fleming is becoming America's go-to singer. The celebrated soprano, who has performed at a broad range of high-profile events off the opera stage, is scheduled to sing at Senator John McCain's memorial service this Saturday at Washington's National Cathedral.

Fleming is slated to sing the Irish standard "Danny Boy" — at McCain's request — alongside tributes to the late Senator by Presidents Barack Obama and George W. Bush, and a homily by Bay Area Catholic leader Father Edward A. Reese.

Jamie Bernstein can't call her childhood a typical one. On any given weekend, she might find Lauren Bacall, Isaac Stern, Richard Avedon, Mike Nichols, Stephen Sondheim, Lillian Hellman or Sidney Lumet hanging out at her house. Jamie's father was Leonard Bernstein.

There has never been an American dynamo remotely like Leonard Bernstein. The composer, conductor, pianist, creator of musicals, educator, political maven and raconteur seemed to spin on his axis faster than any normal human being.

The Royal Concertgebouw Orchestra of Amsterdam, considered one of the world's top orchestras, has fired its conductor, Daniele Gatti, after two women publicly accused him of sexual misconduct. A statement published Thursday on the orchestra's website notes that it has "terminated the cooperation with chief conductor Daniele Gatti with immediate effect."

In June, NPR reported the Philadelphia Orchestra's admission that it had not programmed a single piece of music composed by a woman for its upcoming 2018-19 season. Jeremy Rothman, the orchestra's vice president of artistic planning, said at the time the omission was "obviously a blind spot and an oversight."