Tom Huizenga

Credit Mito-Habe Evans

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
3:03 pm
Wed February 29, 2012

Talk Like An Opera Geek: The Age Of 'Serious Opera'

Originally published on Wed February 29, 2012 12:44 pm

As opera left its toddler years behind, it grew more restrictive and extravagant at the same time. Around 1700, a new style called opera seria began to dominate. It was, as the name implies, "serious opera," and was driven by two main forces: formulaic librettos and flamboyant singers.

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Deceptive Cadence
8:14 am
Tue February 28, 2012

Virtuoso Trumpeter Maurice André Dies At 78

Credit Pierre Guillaud / AFP/Getty Images
Trumpeter Maurice André (photographed here in Paris in 1980) was acclaimed for his sparkling high notes on the piccolo trumpet.

Originally published on Mon February 27, 2012 10:29 am

Deceptive Cadence
1:43 pm
Wed February 22, 2012

Talk Like An Opera Geek: The Birth Of Opera

Originally published on Wed February 22, 2012 12:29 pm

(Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.)

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Deceptive Cadence
4:01 pm
Thu February 16, 2012

Why Do People Hate Rap And Opera?

Credit Morozova Tatiana / iStockphoto.com
Opera and rap seem to hit a nerve with many music lovers.

Originally published on Wed February 22, 2012 10:47 am

So what's wrong with rap and opera? Not much, really. Except that last week when we asked readers to name their musical blind spots (genres or bands they ignored, either by choice or neglect) a distinct refrain emerged within the responses. Two examples:

"Oh, and by the way, rap is not music. It is mostly a bunch of meaningless drivel by people with no real talent and who certainly should not get paid."

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Deceptive Cadence
8:11 am
Tue February 14, 2012

A New Twist On A Leonard Cohen Classic For Valentine's Day

Credit Doriane Raiman / NPR
Simone Dinnerstein, at NPR's Studio 4A, plays The Cohen Variations, a new piece based on Leonard Cohen's song "Suzanne."

Originally published on Tue February 14, 2012 8:00 am

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